another couple of questions about basic workflow in AE using masks and keyframes
hey r/editors, i'm back again, and wanted to say thanks, first of all, for getting me up and going on my project; you recommended some good tutorials and helped with some advice. however, now I'm running into some questions that I think I should work out now to avoid trouble down the line but it's not really addressed in any of the resources I've read through yet.
basically, I'm working with masks and will eventually need to figure out keyframing better before I more forward. I'm attempting to create 6 vertical "panels" that all fade in/out, scroll up/down independently (each with it's own video source) and as I'm finishing the first "animation" of this right now, my first instinct is to want to somehow "save" it and export it as it's own clip to build onto later.
my question is if this is essentially right or wrong: to finish a segment, export it, repeat, and then stitch it all together at the end? or is there a benefit to keeping the entire project (only 4 min) in a single composition?
obviously it's getting a little cluttered working with so many independent sources on each frame, but I have no idea how to best "organize" the timeline. so, do you usually work in segments and then stitch them together or use only the one composition?
any and all help appreciated, thanks
Posted Oct 4, 2012, 8:06 PM UTC · edited
Will these panels be moving the entire 4 mins?
no they each will only appear for 10 or 15 seconds before scrolling offscreen
I would snip off the parts that are going to have the panels and just replace it with the finished comp. That's what I do if I have a long shot that only segments will need to be composited and as long as you don't do any coloring, you should be fine.
sorry, but i'm not really sure what you mean by that. if the "panels" are mostly contained in the precomp(mask layer and source video, yes it has color adjustments) how should I "replace it with the finished comp?