Out of these, I think in terms of its overall narrative and storytelling, "Titane" (2021) is definitely my favorite, even if it doesn't contain my favorite depictions of the corruption/unnatural change of the human body. It's one of the most emotionally diverse films I've ever seen in how explores the uncomfortable nature of gender, sexuality and trauma while at the same time exploring the beauty of unconditional love, parenthood and mental healing in the process of all of these painful experiences dealing with loss and feeling loss in the world. It's disgusting, disturbing, hilarious, wholesome and emotionally resonating. It is also probably my favorite queer film of all time because of how it breaks those boundaries of what is acceptable to how we present and challanges the nature of how we come to empathize with a story and with its characters. Even if the person that we witness is entirely different from what we were expecting and is something that makes us uncomfortable, does that stop us from loving them? Or do our bodies and mind are naturally dependent to loving them, regardless of their nature? It's messy and bizzare but very beautiful and true to me about intimacy.

In terms of physical body, I think "The Thing" (1982) is definitely the best. Some of the must organic monsters I've ever seen and idk what it is but the idea that you could from a single drop of their DNA lose your identity in order for a monster to use it to start turning others into like it as they do not even realize it is an inherently horrifying concept. It reminds me a lot of my natural ick to watching films where something or someone directly messes up with the physical brain except that it messes with everything else and there's literally nothing else of you except a hollow shell of yourself at the mercy of someone else.

"Death Becomes Her" (1992) is the funniest of the bunch by far and has some of the best characters dynamics in any comedy ever. Probably Bruce's best and most different perfomance from the rest of the films he's been in.

"Seconds" (1966) is the most visually innovative in its storytelling and psychology of its body horror exploration, even if the body horror feels like the most tame out of them given its time period and limits in how grotesque a body could look at the time with special effects.

"964 Pinnochio" (1991) is by far the most neurodivergent and bizzare out of all of them in its chaotic plot, body horror, sexuality and characters and one of the most disgusting films out there.

"Crash" (1996) is strange to me because unlike so many of the body horrors here, this one is incredibly seductive and comforting to experience. Like finding a sense or belonging in this niche circle of obscure, taboo interests.

"Tokyo Fist" (1995) is basically "Fight Club" if you actually allowed it to be as obsessed with violence and filled with the sweat of all of its male insecurity.

In your opinion, which is the greatest body horror film of all time and why? Here are my personal favorites: