What’s your take on instrumental folk music?

Instrumental folk music has a unique ability to tell stories and evoke emotions without vocals. One example that stands out is “Harpy Hare in 26EDO” by Deister Orchestra, which uses 26-tone equal temperament tuning to create a distinct, atmospheric sound.

This kind of microtonal approach challenges traditional folk harmonies and opens new sonic possibilities. It’s interesting to consider how alternative tuning systems and experimental techniques influence the evolution and emotional impact of instrumental folk music.

What are your thoughts on how microtonality and experimental tuning shape the future of folk music, especially in instrumental forms?