📌THIS GOING TO LONG BUT THOROUGH 📌

Some online discussions have interpreted these images as depicting an individual connected to a criminal case.

***Disclaimer:***

***This post is intended strictly for contextual clarification using publicly accessible sources. No accusations or claims are being made.***

All references below rely solely on published material, archived artist statements, and publicly available links.

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**Why Background Matters**

Several images have circulated online without context, leading to confusion and misinterpretation. The purpose of this post is clarification through verifiable sources.

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**Circulating Images & Documented Sources**

***PHOTO 1 – “Floor with Heads”***

• Heads originate from Sigrid Sarda’s waxworks

• Captioned:

“Early waxworks (2012–2013). For a series called ‘Valley of the Dry Bones.’”

• Posted December 3, 2016

Public source:

https://www.instagram.com/p/BNlCzx4AB4J/

The image depicts suspected Sigrids great friend/family Katie Inamorato posed with Sarda’s sculptures.

***PHOTO 2 – “Bone Lust Album”***

An album titled Bone Lust has been referenced online.

At present:

• Material was previously public and is now private

• No stable public link available

• Cannot confirm authorship or attribution

• No verified connection established

We also cannot state whether the taxidermy specimens shown were created for or associated with Katie Inamorato’s Afterlife Anatomy work.

Conclusion: No reliable determination can be made.

***PHOTO 3 – “Standing Next to Nude Model”*** 

Published source:

Artkatalyst Magazine

Issue 10, Page 10 (April 2015)

Viewer link:

https://www.magcloud.com/webviewer/909370

Documented credits:

• Model: Katie Inamorato

• Artistic/editorial publication

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**Sigrid Sarda (Deceased)**

Artist statement (archived):

“As a young painter I lived in Paris and exhibited with Andy Warhol. After the traumatic death of my father in 1997, I ceased painting and became enamored with the paradoxical quality of wax…”

Source:

https://www.gofundme.com/f/sigridswaxworks

Sarda’s sculptural work often incorporated mixed media.

One documented piece is described as:

“Purgatory. Wax, plaster, human hair scorched, bone, human gold filled teeth, semi precious stones, mica”

Additional public reference:

https://www.patreon.com/posts/105316310

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**Katie Inamorato – Afterlife Anatomy**

Professional highlights:

• Competitive taxidermy artist

• Educational collaborations (Field Museum)

• Instructor for NY Department of Environmental Conservation

• Featured on Oddities

• Exhibitions and publications

Source:

https://www.afterlifeanatomy.com/aboutcv

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**Important Clarification**

Neither Sigrid Sarda nor Katie Inamorato are connected to any criminal case or allegations.

Their relevance here is limited strictly to documented artistic and professional associations visible in circulating images

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**WE COVERED WHO AND WHAT THE PHOTOS ARE - THE PHOTOGRAPHER’S NAME HAS BEEN REDACTED.**

**The photographer, with a documented body of work spanning from approximately 2010 to the present, including:**

**• Weddings**

**• Birthdays**

**• Musicians**

**• Artists**

**• Business interior/exterior**

**• Pets**

**Publicly we found;** 

Photographer Context (Published Source)

Artkatalyst Magazine provides the following description (name redacted):

“She is a person who perceives nature as a sacred space. As a photographer, her goal is to capture nature’s raw beauty as though untouched by humankind. Her camera is a vessel that she uses to help people appreciate the natural world, a world she often feels is being taken for granted.”

“SHE

IS A PERSON WHO

PERCEIVES NATURE

AS A SACRED SPACE”

“In this photo series, she combines humans and animals to capture how human interactions affect the animal world. The animals in her photos are actually roadkill — innocent animals killed without warning, their lives cut short instantly. These poor creatures do not receive a proper burial as a beloved pet might; they are tossed to the side of the road as though nothing happened.”

“Through her photos, she is giving life back to the animals. Humans and animals can live harmoniously if they look out for one another. By photographing the two together, it is fusing this concept. The images are here to bring life, beauty, and respect back to the animals.”

Source:

Artkatalyst Magazine — Issue 10, Page 10 (April 2015)

https://www.magcloud.com/webviewer/909370

Context Behind the “Photo With Heads” Image Circulating