Has anyone tried to use agents to run a small label team?

Case Study

I’ve been running multiple artist campaigns for years and a lot of the workload is the ‘boring’ operational stuff like timelines, approvals, DSP pitches, weekly updates, etc.

Now I’m testing a setup in CoWork where an agent in Claude reads all my campaign files, artist history and outputs meeting agendas, pitches, analytics reports + draft assets on a daily basis for every single artist, right when I need it.

It’s still early but feels very useful. Basically cuts a couple of hours of my weekly busywork.

Curious if others in music are experimenting in a similar way.

Posted Mar 6, 2026, 9:58 PM UTC

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