How to produce/ process low end like obscur
It seems as though he’s creating a groovy low-end foundation and weaving the kick drum into it without letting the kick take too much focus in the low end. The midrange and highs of the kick drum are more prominent than the lower frequencies. But the root note around 50 Hz is still significantly larger in the analyzer than the rest of the track.
How do you achieve this soft yet still crisp low end? I think he uses a combination of rumble and/or toms to create the groove in the low end. But when I use toms to create a groove, it sounds very dry, and the low frequencies boom heavily through the speakers. How do you make it smoother? Any effect chain?
Posted Aug 28, 2026, 7:50 AM UTC
511