Fellow Screenwriters, how do you make a Protagonist who DOESN'T CHANGE interesting?
Hey, people!
How would you make the readers empathize/sympathize with a character who remains the same?
Would it be better if I have an Antagonist who doesn't change, but changes the Protagonist instead of having the protagonist be like that?
Could differences between his beliefs and his actions be a good way to do it? Is that enough?
Posted Jun 16, 2017, 7:03 PM UTC
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