The Full Text and Interpretation of the Bible Chapter and Verse seemingly referred to on Sam's uniform.

So many people have pointed out in various places that the 0914-137 seemingly refers to a Bible verse. A 14 word verse, numbered 9, from chapter 137. This seems be Psalms 137:9. Many people have pointed out that the text of this verse refers to infants: "Happy shall he be, that taketh and dasheth thy little ones against the stones." (King James Edition.) But who is the he and who is the thy who the little ones belong to? This verse is the final verse in the chapter in question, so let's look at what this chapter is about. I will refer to the New Revised Edition for better comprehensibility, but it should be noted that the verse in question is 14 words in the King James (the most important English translation of the Bible) but not in the New Revised. Anyway, let's get to it:

"1: By the rivers of Babylon--there we sat down and we wept when we remembered Zion. 2: On the willows there we hung up our harps. 3: For there our captors asked us for songs, and our tormentors asked for mirth, saying 'Sing us one of the songs of Zion!' 4: How could we sing the LORD's song in a foreign land? 5: If I forget you, O Jerusalem, let my right hand wither! 6: Let my tongue cling to the roof of my mouth, if I do not remember you, if I do not set Jerusalem above my highest joy. 7: Remember, O LORD, against the Edomites the day of Jerusalems fall, how they said "Tear it down! Tear it down! Down to its foundations! 8: O daughter Babylon, you devastator! Happy shall they be who pay you back what you have done to us! 9: Happy shall they be who take your little ones and dash them against the rock!"

So here we see the antecedents for the pronouns of the verse: the "They" is whoever will "pay back" the "Daughter Babylon's" children for what they have done. What they have done, of course, is destroyed the Hebrews' home ("tear it to its foundations!") and tormented them by asking them to sing their traditional religious songs as entertainment. This entire chapter is subtitled "Lament over the Destruction of Jerusalem" in the New Revised edition. And this destruction could correspond to the "Second Explosion" which seems to have so thoroughly shaken Death Stranding's world (the crater in the Bridges logo) and the seeming gradual death and general decay happening in the world.

So then, the Hebrews here I think may represent the living people of this world, while I would assume the Babylonians or Edomites would be the Monsters. It has been suggested by some that the babies may be related to the monsters in some way. And I think this is reinforced by the baby in the first trailer disappearing and then immediately Norman begins to see the tiny handprints moving away from him. Perhaps this implies a different relationship between the Babies and the "normal" people in the game than we're assuming.

Of course, there is also the reinforcement of the crying motif that has been present in the trailers "We sat down and there we wept." Here the crying is for the destroyed and idealized holy homeland of the Hebrews.

There is also the strong language where the speaker implies that they should essentially wither away if they were to forget Jerusalem and not put it above their very highest joy. The strong revenge imagery of dashing babies against the rocks reinforces how the memory of Jerusalem should be the absolutely highest priority for the Hebrews as well. Perhaps the carrying of these memories is related to Sam's designation as a "Porter" as well?

I'd love to hear everybody's thoughts on what you think. Alternate interpretations and connections, or what I missed.

Posted Dec 9, 2017, 4:32 PM UTC · edited

197
KorsfarerSmith•

That is a great interpretation, but I have a slightly different spin on it. I’m thinking the “monsters” are angels which are sent to earth to destroy it, but humans have found a way to jump dimensions, or what have you, and are trying to escape the wrath of the angels. The role of the baby is that it is supposed to repopulate wherever they go and the black goo ages them rapidly. Sam could not swallow a whole baby so it is possible he swallowed a fetus and then the black goo(this is in reference to when he vomits the black goo in the third trailer). Also, the man trapped under the vehicle in the third trailer ages rapidly when the goo is around him. We saw the goo on Mads’ character in the second trailer, but it did not have an aging effect on him, so Mads may possibly be the leader of the angels(Gabriel, possibly?). In short, that verse from Psalms may be in reference to how we have corrupted that which God has given us and it is now time to pay; how the angels will be blessed for destroying our children and stopping the spread of sin and corruption. Who knows, lol. Once again, you have a great theory!

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WinSmith1984•

I highly doubt it's related to Christianity, that doesn't strike me as a Kojima thing, I don't remember him doing that in the past. Interesting though.

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ButterballHotlineOP•

He quoted William Blake's poem "Auguries of Innocence." in the first trailer explicitly. Blake's poems are very strongly and explicitly Christian. If he is interested in English poetry of the period he would likely be familiar with the KJV and with Christian concepts and ideas in general.

Also, I don't think he is implying a Christian message, but that the verse is representative of something within the game.

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ppeniddo•

Seriously dude? Adam (Ocelot) and Eva. David and Eli. And there's much more.

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LTheRed•

Interesting points, how do you think that the undead will play their part on the game? Twice we have seen examples of undead, in the second trailer as skeletons and now as BabyCarrierGuy stabs himself without being able to die.

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ButterballHotlineOP•

The dead seem to be used by the antagonistic forces as proxies. Cords are used by Mads to control his undead soldiers in the second trailer. There are cords seen going from the dead crabs and things in the second trailer as well I believe. Indicating that the dead can be controlled in some way by the Monsters. Since the Giant Monster in the third trailer also has many cords and umbilicals coming off of him.

For the protagonists it seems that cords are used to keep them connected to life (represented by the babies.) And perhaps when they are not connected to the life force they die as the one crushed below the truck rapidly aged.

If the Psalms verse is to be taken as a possible 1:1 analogy for things in the game, then perhaps the vengeful baby-smashing is what the "Anti-Life" forces in the game are trying to accomplish. Maybe the normal Living people in the game created some catastrophe that disturbed this (apparently) other dimension and the Monsters and other Anti-Life forces are attempting to eradicate the Living in the normal dimension?

Just spitballing.

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LTheRed•

Hm, I see, my standing theory, with what we have seen so far (without going nuts on the tiny details), is that maybe the outside force of "monsters", "oil" or whatever it is, has a lot of value in life, life as energy, as if you took electricity and labeled it an energy, then took "life" and labeled it as another type of energy.

They take everything that is alive and connect it as part of a grid, a hub or whatever it is, sharing "life" across everything that is connected. They use said life to give immortality to "suitable specimens" (we only saw humans being undead, so the suitable ones are those with pristine bones, capable of fluid motion) and use them as soldiers, while "unsuitable specimens" (Example: anything non-anthropomorphic and those unable to move fluidly, like the man under the car in trailer 3) are used as "batteries", being taken somewhere safe and providing life to the grid.

How this connects to Mads controlling them, Mads being a human and not being either a battery or undead (he may be though, we don't know), the five figures and the gigantic slender-strands, well, I have no idea.

1