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Marie Antoinette

True Name: Marie Antoinette
Class: Rider
Source: Historical Fact
Region: Europe
Alignment: Lawful Good
Gender: Female
Height: 160cm
Weight: 48kg

Scenario Writer: Hikaru Sakurai
Character Illustrator: Ginka
Character Voice: Risa Taneda
Appearance in Main Works: Fate/Grand Order

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Parameters	Values
Strength	D
Constitution	D
Agility	B
Magical Power	B
Luck	B*
Noble Phantasm	A+

*Is B+ rank in the game profile

Class Skills

Magic Resistance: C

If it is simple magecraft, she can nullify it.

Riding: A+

It is possible for her, who is the royal authority’s heaven-sent child whom was gifted to the royalty from God, to operate all vehicles and beasts freely, including the white horse that is the symbol of the French royal family. Regarding the Dragon Kinds however, they are not able to be mounted.

Personal Skills

Grace of God: B

Born to be a lovely monarch, she is provided with the finest beauty and body.

Alluring Song: C

A natural constitution of having a beautiful voice. It works as a magecraft-like charm effect towards males, but evasion is possible with a Magic Resistance Skill. Even without Magic Resistance, one can abate it to some extent so long as he maintains a will to resist.

Princess of Loveliness: A

A charismatic nature not for leadership, but to bring and attract to one the people in their surroundings.

For Marie, who possesses this Skill at Rank A, she can pull a knightly character to defend her just by simply existing as she is.

Noble Phantasms

Guillotine Breaker: Glory to the Crown of Lilies
Rank: A
Type: Anti-Army
Range: 1~50
Maximum Number of Targets: 50 people

A Noble Phantasm that symbolized the glory of the French royal authority. An Anti-Army Noble Phantasm. Its exterior appearance is that of a beautiful horse composed of glass, which contains the coat of arms of the French royal family (the crest of the lily flower).

Marie can call forth this horse by releasing its True Name, the horse running through the battlefield while gently scattering twinkling particles of sparkling light, causing damage to the antagonists of the royal authority. Simultaneously, it cancels out the bad status effects on allies and recovers their health and magical energy.

(The Noble Phantasm’s former name was Fleur de Lys.)

Crystal Palace: The Lovable Brilliance, For Eternity
Rank: B+
Type: Barrier
Range: 0~100
Maximum Number of Targets: 1000 people

A Barrier Noble Phantasm. An enormous palace that boasts of elegance and represents the influence of the French royal family of successive generations makes its appearance, temporarily ranking up the parameters of Marie and her allies. Even though the royal authority had died out, the people and the France that she loved will remain for eternity – that is called Marie’s faith, which calls forth the Crystal Palace as a symbol of a new age and growth.

Having the same name as the “Crystal Palace” constructed for the Great Exhibition of London in neighbouring England is in no way an irony and the like, but rather, it seems to be something that shows how wide Marie’s love is. “Oh, I love it! The Crystal Palace of London’s World Fair. So, it served as a reference during the occasion of the Noble Phantasm being arranged, but I wonder if something like this could be an issue…?”

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First Pronoun: watashi
Second Pronoun: anata [hiragana characters] / anata [kanji characters] / kijo
Third Pronoun: kare / kanojo / ano hito

Personality

An image (idol) by birth. Soothing the people with a smile, gaining adoration with a gaze. Marie was born to be loved, and this is not a theory to her, but her actually feeling this as an instinct. Accepting the fact that she is an image, and finding joy in that, she set her heart on conducting herself as what was desired of her. That mentality is already not far off from some kind of goddess.

Marie never hates the people. As she was born for the sake of being loved, she therefore loves the people. If the people deem her to be unnecessary, and even if they shout at her, capture her, and kill her, she will show a smile at them even at the moment of her death. However, because her mentality as a Servant is fundamentally being stopped at “the moment she married Louis XVI, visited France as its queen, and was blessed and loved by the many citizens”, she does not easily display her aspect as the queen of a tragedy. (It is not the case that she has no memories after that moment. Nevertheless, the stage of her mentality and character is simply at “that time”.)

Upfront. Spontaneous. Marie will speak of anything she thought of. She will say the likable things are what she likes, and the not so likable things are what she dislikes.

Marie likes baths. Awfully liking to keep herself clean is an influence from her mother Maria Theresa. Because “the light perfumes with a scent similar to flowers and herbs are pleasant”, the perfumes she uses are not that strong.

Marie is a spendthrift. She completely wastes money on one thing or another as she pleases without even understanding herself about this trait.

Motivation / Attitude towards the Master

As the bond with the protagonist (Master) deepens, it will reach the point where Marie will display the aspect of her tragic side. It is very evident that she is "the very idol that continues to scatter love, yet whose scars remained imprinted on both her body and mind.” And yet, she still smiles beautifully. Never, will Marie desire for the erasure of the tragedy.

Dialogue Examples

“Everyone, I love you all————Thank you, Vive la France!”
“For everyone who is fond of me, please, I wish you all to be blessed with a wonderful grace!”
“Let’s dance, let’s sing! This will be a delightful ball!”
“Boisterously like a flower, like the sunshine.”
“Brioche is delicious. Do you like it? What's that?”

Historical Image and Character

A French Queen of the 18th Century whose genealogy corresponds to the House of Habsburg. The consort of Louis XVI. An ephemeral lady. Born between Maria Theresa, who is a descendant of the House of Habsburg, the great aristocratic German household, and Holy Roman Emperor Francis I, a person originating from the House of Lorraine as its Duke, Marie was born and raised as an existence that symbolizes the “rule of the nobility” of the European World, but in the violent torrents of human history where the absoluteness of the royal authority was continually being lost, she lost her life before the changes of the world.

Loved as a symbol of the royal authority, being blessed while living————Detested as a symbol of the royal authority, shown contempt as she ended up dead. The protruding eyes of the nobility, political marriage, living the royal court life, and then, revolution and execution. It is possible to say that way of life and manner of death of Marie's became the embodiment of the royal authority as an evident “idol”.

Although she became a target of hatred by many people before and after the Revolution, Marie’s impaired reputation has been restored in modern France; when famines came about, she would cut royal court expenses to make donations, she would personally request to the nobles to provide support to the people, and so forth – Thus, it is being confirmed that she was a woman who thought of the citizens.

There was a tragedy. But————
Marie will never wish on the Holy Grail, for the erasure of the tragedy. She will only carry out her own role. In other words.
Radiance to the sky. Blessings to the earth.
————Happiness, to the people.

General Armaments

Her singing voice. While it is a voice that charms people, it is also a declaration of the exercise of power by the royal authority. For Marie, who materializes as a symbolic existence, she can conduct magical damage towards the antagonists of the royal authority with just a singing voice.

Concept

Marie’s concept is an “Idol Queen”. An idol who flew down to France of the 18th Century. Or, a glass angel (as a symbol and embodiment of a pure and fleeting thing, and not as a religious motif).

Connections with Characters

Amadeus

Around the time when Marie was seven years old, on the occasion of a six-year-old genius boy, who was invited as a performing musician to the palace of Vienna, falling down, she had extended her gentle hand to him. As a matter of fact, this genius boy would be later known as Amadeus Mozart, and he proposed marriage to the beautiful Marie (who at that time had the name Maria). The answer at that time was…

Even now where Marie became a Heroic Spirit, this event with Amadeus that was enjoyable and sincere to her is an understanding called “love”. That is, nothing about this “love” has changed whatsoever from when she felt it around that very youthful time.

Charles-Henri Sanson

The executioner who hoisted the guillotine for Marie. During her lifetime, Sanson was also the companion who raised his voice to Marie during her final moments. Just before her execution, it is said that Marie expressed her words of apology regarding the incident of her stepping on Sanson’s shoes.

Chevalier d'Eon

Marie completely recognizes d’Eon as a “woman”. Furthermore, Marie deeply respects d’Eon as a person who devoted herself to secret missions and diplomacies while she was a woman. Marie had given a dress to d’Eon during their lifetimes. For Marie, she thinks about going out with d’Eon as a fellow friend and not as a master to a servant, but…

Comment from Illustrator

Given that she is an Idol Queen, should her outfit also be stylish? That is the direction it became. Since a portrait of Marie Antoinette remains where her hair was in its best days and she wore a big hat, her hair has a substantial volume even though her head may appear in this way, but it is HUGE whenever I look over it again, is it not?! Although I put in a motif of a white lily on some parts of her, the tips of her twin tails are especially my favourite. (Ginka)

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