Untitled for now
I fell sixteen stories onto concrete stairs.
My head split open like a pomegranate.
The white collar of my shirt, and my dark brown hair
got soaked in the fruit‘s red juice.
I lay on the wet stained pavement
with the bright seeds of my brain gone loose.
I lay on these steps a bit earlier
with my dirty blond hair covering my rotten head.
A shoe print stamped deep into the soft fruit
and the mush dragged across the floor
It’s what a moldy peach would leave on the wall
after being violently thrown into the door.
My mind has been decomposed
swarmed and eaten by flies.
It’s been completely deteriorated
by the barbaric passing of time.
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Posted Aug 25, 2019, 5:03 PM UTC
Hi! So I think your choice of using fruit as a metaphor is really interesting. It evoked an image of a discarded, slowly rotting fruit basket--if that was what you are going for. A couple of things I would consider: one tip I always like to use is to read aloud my writing. If your tongue trips up on anything, then it's probably a bit clunky and needs to be rephrased. This is especially important in poetry, where minimalism creates added importance to the impact and physical *sound* of each word. For example:
Try saying "fruit's red juice" three times fast. It's tough! Unless your goal is to trip up the reader, I suggest a simple "soaked in the red juice" as the "fruit" is self-explanatory within the context of "juice" and keeps your metaphor intact. Additionally, passive voice is usually best avoided as it makes the action less real and takes the reader a bit out of the narrative. Try to read through the poem and see where else your tongue might trip up.
"gone loose" evokes imagery of wild animals escaping a view, which took me out of the scene you had been painting up until then.
This one is also a bit of a mouthful. The rest of the stanza, however, was very vivid and flowed quite well. I especially liked the moldy peach being thrown violently at the door. It makes a nice echo of the aforementioned scene.
I think you could cut down on the passive voice here as well. I got a lot more out of this stanza on the second reading. At first, I thought the choice of "barbaric" was a bit shocking and out of line with the tone of the rest of the poem, but on my second reading, I realized that it's a very thought-provoking choice that made me reconsider my initial reading and see the poem in a different light. So it all depends on what your goal is.
Really interesting poem, thank you!
Thank you for this great and detailed analysis!! I appreciate it very very much :-)) Those are great tips and I’ll definitely utilise them. Originally I wrote “violent passing of time” but then I realised that I already said violent so I changed it to barbaric, I do think it portrays what I’m trying to say. Thank you again
No problem, keep it up!