[No Spoilers] What was your initial thoughts on the various cultures of Westeros?
Prior to hearing what GRRM based off of. I guess here is how I sorta saw everything.
Rivermen - I have always liked these guys and always feel like they are seen as worse than they are. -That being said I kinda always pictured them in a Welsh/Briton manner, more Celtic in their clothing design, etc. or so I’ve seen them in my head ( if that makes sense)
Stormlanders - I’ve seen them as inherently Scottish. Can’t explain why, but that’s how I assigned them and did Bobby B’s voice in my head
The North - Northern England/Norse
Westerlands - English
Iron Islands - Irish
The Reach & Targaryens - French.
I could go on and on, but I want to open the floor up to everyone and see what y’all think/thought?
Posted Aug 3, 2020, 4:13 AM UTC
I’ve read enough fantasy before that I don’t clump cultures into real-life models but just sort of take them for what the author is offering, so I never broke them down in the way many people do including OP. It’s an obvious inspiration, oftentimes, especially on more nuanced culture concepts but I just sort of go with what the author is telling me rather than compartmentalize and assume, because in fiction, but especially fantasy, that can lead you astray from the author’s world.
To that effect I found the concept of the Old Gods really interesting, and the fact that the Northerners are so incredibly honest in front of trees that essentially never show any sort of power or repercussions really intrigued me. I wanted to know why Robert felt the way he did about riding on the Barrows, and what it meant to Northern culture. Such a strong cultural code in the absence of either organized religion, religious texts, or proof of vengeful/generous Gods was really interesting. It felt a little like the fear of Faeries, but... less, and with no supporting concepts. I’m actually very clueless but it reminded me more of what I’ve heard about some Japanese practices, or seen in some Japanese movies, where a stream or forest will have its own spirit... except usually there’s a distinct soul to that wilderness that either becomes sick or enraged when mistreated, while the Northerners don’t really get any signs. It was fascinating as a premise and mystery. I actually feel a little sad that Bloodraven is supposedly behind so much because I’ve always been intrigued by the Northerners and their religious devotion and kept waiting for Old Gods to show up somehow (not just as a little wind).
Those same Northerners seem to have a really boring society, though. Their castles are sophisticated enough, and they have beautiful wilderness, but to have this place only offer embroidery or whatever for every woman for centuries seemed so bizarre. There is the Winterfell library, but no concept of master writers or engrossing classics or popular trends or fads or anything except the few classic stories Sansa knows. There is no art, except for singing and the High Harp which is completely absent. There’s just... nothing. It seems very spare and unrealistic for people who have been around for thousands of years, and the absence of organized education and any sort of engineering besides siege weapons felt bare. At least in KL they have tapestries, and in the crypts are the works of these random master statue sculptors, but besides some ancient gargoyles we didn’t really get told about anything like that. In fact the only other statues besides at the Great Sept of Baleor were off in the womb of the world. Everything felt a little off to me about Northern society, but in a kind of intriguing way, not a sparse one.