flops031

Hello everyone,

I am looking for a new versatile workhorse snare that could work for a more fat sound but also with a snappy tuning. The snares I have had so far have all been from a beginner range (Sonor Force, Pearl Export), so I am also looking for something with somewhat better build quality (bearing edges, throw-off, tuning lugs etc.).

Thanks in advance!

So here's my situation: I have my SPD-SX Pro connected to my PC via USB. On my PC, I have an Ableton session running, sending a MIDI-clock to my SPD and synching its tempo. I would now like to send that MIDI-clock to my bandmates' keyboard, using the MIDI Out jack from my SPD. Is there a way to do that?

Hello everyone, sorry that I have to add to the gazillion IEM-rig questions asked here every day. I am looking fit the entirety of my bands IEM rig into a comparatively small rack, and want to minimize the space used up by the splits. The splits that are easily available here in Germany are the likes of Art S8s, having 8 transformer isolated inputs per rack unit. I was wondering if it makes sense to ditch the transformer isolation and simply build a passive split myself by wiring up a bunch of y-cables, so I could possibly fit the 32 channels into two rack units. Do I have to worry about a passive split when working with phantom power? I have read conflicting opinions on the web, going from

Hallo zusammen,

ich bin gerade dabei meinen Geburtstag zu planen und suche dazu mögliche Räume in Düsseldorf. Ich erwarte zwischen 50 und 70 Memschen und würde auch gerne Live-Musik machen können.

Bei meinen eigenen Recherchen kam ich bisher immer nur auf sehr gut ausgestattete, und daher auch extrem teure venues. Tatsächlich suche ich primär einfach Räumlichkeiten, um Technik und Verpflegung würde ich mich selber kümmern können.

Mein Budget liegt bei +- 500€. Kennt ihr Mögliche Anlaufstellen, die man vielleicht nicht so direkt findet wenn man nicht sehr spezifisch sucht?

I currently have the Airlift throne with the round cushion (specifically referred to as DW9100AL), but I would like to try out the T-shaped cushion (referred to as DW9120AL). Now, I reckon that the most of the 300-something Euro price here in Germany comes from the hydraulic stand. And since I the stands for both versions are identical (at least I think that's the case) I could probably save a good amount of money If I buy only the cushion.

It's not sold seperately as a spare part by DW directly, and all the other listings I have found just include another stand for the full price.

Are there other sources I could look at?

I have recorded a band with drums and two mic'd guitar amps in the same room and there is some crosstalk, so I would like to comp to the same takes for all of the drum mics as well as the amp mics, but when I try to do so, some of the tracks will have the wrong take lanes selected! For example, if I select take 3 on one of the tracks, most of the other tracks will follow correctly, but some others will just switch to a completely different take.

I have all of the tracks in the same folder with group editing on, I made sure that all clips have the exact same length, snap to zero crossing is off.

Does anybody know how to fix this problem?

Hi everyone,

I recently bought FabFilters' Pro-Q 4 (not having owned Q 3 previously, this is my first FabFilter plug-in), and noticed one issue that I did not manage to fix until now; Whenever I use it on a mono channel, Pro-Q 4 appears to be somehow "duplicating" the output. I tested this by slotting another plugin behind the Q 4, which consistently showed me the input of that plugin to be 6 dB higher than the output of the Q 4. Also, it appers to only be filtering one of those audio streams. When I take a high-cut filter and do a sweep of the frequencies it will sound as if one of two identical signals is filtered, while another one remains untouched, not to mention that the RTA of the pl

Hi everyone,

I recently bought FabFilters' Pro-Q 4 (not having owned Q 3 previously, this is my first FabFilter plug-in), and noticed one issue that I did not manage to fix until now; Whenever I use it on a mono channel, Pro-Q 4 appears to be somehow "duplicating" the output. I tested this by slotting another plugin behind the Q 4, which consistently showed me the input of that plugin to be 6 dB higher than the output of the Q 4. Also, it appers to only be filtering one of those audio streams. When I take a high-cut filter and do a sweep of the frequencies it will sound as if one of two identical signals is filtered, while another one remains untouched, not to mention that the RTA of the pl