joyful-van

Who makes a decision of how much length each fight should be. The purpose of fight length should be to express the emotions as continuity..but should the length of fight compromise other scenes. I think the troupe is religiously followed by editors for decades which needs to be addressed.

Think of Naresh frustration from Samomhonam.. there are so many single scene junior artists whose fate depend on editing decision for final cut..

I feel like these over the top fights should have less length and keep those scenes more importance... Share your thoughts

Not a celebrity biopic but plot is inspired from a commoner, i know of.. add more to the list

Rx100

Bacchala malli

Lenin

Most young heros start with lover boy, chocolate boy and boy next door characters. As they age, they have to progress to next phase in career. Love stories make them monotonous and producers will not be interested too, even if they had hits in the past. Audience will tag as routine rotta and openings dictate their market value..

Nepo or not, every young hero with love stories as hits faced this..

Tarun, uday Kiran, Navdeep, Nithin, RaPo, Siddharth, VD , naga chaitanya, Naveen chandra,Varun sandesh, aadi sai Kumar, sundeep kishan, Manchu manoj, Nani, allari naresh, etc

they have to transition to a next stage even with struggling script selection initially and became bankable again...

W

Krishnam raju garu made some serious roles and rebel characters in 70's and 80's to get the tag. They represented contemporary youth and tag was given by fans.

Prabhas did not have similar roles by when he was given the tag. With his achievements now,he could easily get a better tag to identify, so unique that no one else made it.. but some how rebel star stuck

Young tiger, power star, stylish star, natural star, real star etc are earned organically in this generation..

Prince Mahesh evolved to SSMB.

Are tags also hereditary transfers irrespective of what they achieved.

If so, Is it fair to call Collection King Manchu Vishnu, in the same logic..

Whenever I see Uttamma Villain, i felt this script is tailor made for Boss. He should have tried a remake of this kind and every one will be satisfied. Hear me out.

Reliving the past with stardom and fans... Nostalgia ✅

Acting under his own mentoring directors... Tribute ✅

Cinema shooting(first song)with young heroine on a catchy dance number ✅

Age appropriate dad role to a teenage boy with brat attitude.. ✅ ...even now boss didn't have a son or daughter of that age in his movies..

Emotional action scenes with kids when they know he's dying, asking his son about his dreams ✅

Folklore comedy timing without cringe ✅

Traditional drama dance ballet ✅

Accepting criticism from son for not

Shruti Hasan, Deepika and Aishwarya are lucky to have started their career with a two roles in a movie: Lucky, om Shanti Om and iddaru.

Briefly jeans, PS for aish and chandini chowk to china for DP exists later in their career again

Anushka in Arundhathi

Samantha tried in Vikram's 10 (pathu endrakulle)

Priyamani in a movie like Surya's brothers

Lately, Preity in idhayam murali..

What others did I miss

There were scenes across multiple Telugu movies which are inspired from Hollywood famous movie scenes.

One common factor is, Sonu sood part of those scenes

Athadu -- assassins

Julayi bank robbery -- Dark Knight

Arundhathi dance with drums -- crouching tiger hidden dragon

Super diamonds robbery -- Italian job

Same titles across states, in different years with no connection whatsoever. Tell me more

Here are some of them

Bobby --- Mahesh Babu --- Rishi Kapoor

Jalsa --- pawan kalyan --- Vidya balan

Sultan -- bala Krishna --- Salman khan --- karthi

Name a sequel or series in Telugu which doesn't have the same title as the first movie.

Ex: Tulasi dalam, Kashmora

Be it Sye raa, bhola Shankar, Kalki, Satakarni, Saripodha sanivaram, what is the rationale behind the choice of a music director for a scale of the movie made. If success is a factor, Gopi sundar, vivek Sagar, sri charan pakala, and sweekar agasthi have proven themselves in telugu movies.

Amit trivedi, chitrangan, jakes bejoy, santhosh Narayanan, mahathi sagar, gets those huge star budget movies and yet they don't get frequent movie offers in Telugu. Same with Himesh for dasavatharam.

I wish we get to see our local talented music directors frequently, and also get these big budget movies. Only then a competition arises and current top music directors can work more harder to deliver.

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In our country the biggest cinegoers are from our two states and TN.

In a huge pan world movie, why wasn't there at least ONE character from these three states. We produced more movies on the subject and yet no one.?

This is some serious strategy to avoid us and show they can make a spectacle without our people in it. Think of it

In our country the biggest cinegoers are from our two states and TN.

In a huge pan world movie, why wasn't there at least ONE character from these three states. We produced more movies on the subject and yet no one.?

This is some serious strategy to avoid us and show they can make a spectacle without our people in it. Think of it