liamsheaffer

Ok now that the movie has been out for a bit, I’m genuinely interested to see what people thought of the way Ari Aster decided to compose his conversational scenes. Along with all the symmetry in the film, there were a ton of mirrors in which we could essentially watch both sides of a conversation from the characters’ perspectives (when the shot only physically included one character). I found this concept super interesting, and was wondering which directors and films set the precedent for that stylistically. Thanks for the insight and for nerding out over this beautifully shot film