logstar2

I've searched and can't find a definitive answer.

What's the maximum ISO on the CampsSnap Pro?

The highest I've seen in shared metadata is 1600.

thanks!

I've searched and can't find a definitive answer.

What's the maximum ISO on the CampsSnap Pro?

The highest I've seen in shared metadata is 1600.

thanks!

In a recent post about a 'cutting edge' design for a bass OP found out that each of their ideas had been available for at least 30 years.

Which begs the question, what are some real cutting edge features that are possible with current technology but haven't been used as far as we know?

This would not include fanned frets (first appearance in the 1600's), carbon fiber (late 1970's), built in distortion preamp (1960's), MIDI (1980's), internal lights (1960's), squiggly frets for better intonation (pre-1970's), sustainer pickups (1980's), detuning mechanisms (1970's) , optical pickups (1990's), mechanical nuts (1980's)

The first few I thought of to get us started:

1 Built in wireless contro

I was just looking at toy cameras that have built in thermal paper printers, similar to the receipt printers used at restaurants. All the reviews I've found focus on their use by kids, with no technical info beyond pixel count.

If anyone has used one I'd like to hear your thoughts on them, what kind you have, and if possible the maximum ISO.

I've wanted one since I saw a prototype featured on a tech site a number of years ago.

All the ones I've been able to find so far look like the same model rebranded under different names, with different animal-themed outer cases. None have a flash, which is annoying but not a deal breaker. Also they all include a time and date stamp on the printou

tldr: The 18mp Papershoot is better than the 16mp due to a much higher max ISO and the video crank accessory is interesting but using it disables photo mode, which is a dumb thing to have done.

I've been using a 16mp Papershoot for a year, shooting around 1800 exposures exclusively in black and white mode. None of the other color modes appealed to me aesthetically, and the video mode was so poorly implemented it was a non-starter.

Unless you purchased a SIM card the only way to shoot video was to plug the camera into an external power source, you're limited to 10 second clip length and it played a chiptune version of "the entertainer" while recording which made any audio captured completel

Tomorrow lots of people are going to get their first bass and then have questions. And we'll help them, but we already know what a lot of those non-FAQ-FAQs are going to be.

Here's some of my favorites. What are yours?

Why does my Mikro sound bad through my Rumble 15? I'm tuned to drop G.

I'm learning to slap but all I can hear is the strings hitting the frets, how do I make it stop? Do I need a AMP?

What pedal do I need to make my EB0 sound exactly like Flea?

I want to upgrade my pickups, how do I find out how big they are?

All my strings got super tight and then broke before the tuner said they were right. What are some better strings that won't do this?

Dec 28th update: All but one

A few folks asked for a review of the Paper Shoot camera I just bought, so here are my initial thoughts.

The good:

-I love the look of the black and white mode. Which is good, because that's what I bought it for. That alone makes me not regret the purchase.

-The size. It's small enough to go in the pocket of a t-shirt. It's also heavy for its size and feels solid.

-Replaceable, rechargeable AAA batteries. Disposable batteries are a deal breaker for me on toy cameras, but I've also had several become unusable due to non-replaceable batteries deteriorating over time. This camera acts as a charger when it's plugged into USB for file transfer, so for me it's the best of both worlds.

Last week I impulse-ordered a Paper Shoot camera about 15 minutes after learning they existed. Obviously I did a ton of research. It's scheduled to arrive day after tomorrow.

I have a lot of experience with toy cameras, both film and digital, but would love to hear from anyone who's currently using one. How has it worked out? What do you love/hate about it? Etc.

My plan is to mainly use the black and white mode and experiment with naturally vignetted night photos using a flashlight as a spot. I've been looking for a new lofi camera since the non-replaceable batteries in all four of the ones I'd been shooting with gradually became unusable.

Thanks.

Answering specific questions from other users is great, but there were many things that I didn't even know to ask about when I was getting started that I wish I had learned sooner, rather than just stumbling upon them over time.

It could be very helpful to share some of those things we've discovered.

The biggest revelation to me was the flexibility of using wet-only effects return tracks.

For example: To use reverb I duplicate the original track, audition the effect wet/dry and then apply the effect wet-only to the new track. This allows me to adjust the wet/dry mix via the faders after applying the effect, automate it with the envelope tool or remove the effect at any time. I can also a

TLDR: After an interface upgrade I have no audible lag while recording into Audacity but the new track is about 100ms late relative to previously recorded tracks when I listen back. Any idea how to fix this issue?

Long version:

Recently started using a Focusrite Scarlett after previously plugging directly into the mic input of my laptop running Audacity on Windows 10. Didn't change any settings other than selecting the appropriate input and output devices. Direct monitoring with headphones plugged into the interface.

While recording everything sounds perfect. But when I stop and listen back the new track is about 100ms behind the mix I was listening to while recording. This did not hap

tldr; I dump all my raw footage into the timeline, eliminate the bad stuff, and go from there. Is there another way that is more efficient from a time management standpoint? Computer resources aren't an issue.

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Long version:
I've been doing video editing as a relatively small part of my job for a long time, producing 3 or 4 industrial videos a year. My current workflow developed from teaching myself how to use old, primitive editing systems where this was basically the only way to do things. I'm now using Premiere, which know has more options, but I've never really explored them.

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My current workflow is to dump all my footage into the timeline and start cutti