stepcorrect

Selling my Maschine + to a friend. I’ve received to license transfer code from NI, all good. Question: when they register it, will this also give them all of the standard expansions and Maschine desktop software along with that one serial transfer? Or will they need to buy the $99 software bundle with it? (Didn’t see this specific question answered in here)

Thanks

I don’t remember actually bailing on any game honestly. But it’s been a while since I’ve played and now I REALLY want to play this game again for obvious reasons. Seems it’s hard enough to hop on w/o the penalty. Can you only get rid of it by playing multiplayer? That’s sort of lame considering there may be others like me that want to play now and they are preventing that from happening

When he says ‘I offer 100k per…’

How does that work? Is that per dollar invested? Per investor.. or?

I completely understand the concept of this symbol popping up on commercial or industrial zoned buildings, but can anyone explain why it keeps popping up on my residential ones?

Any feedback appreciated!

Bounce to sample/Flatten Pad/Export audio ALL create about an additional 1-2 millisecond of silence at the beginning of the rendered audio file. I thought I was imagining it but see for yourself by comparing the two zoomed in. Akai NEEDS to fix that shit it’s absolutely a problem. If you are bouncing for stems, or a drum loop or something multiple times it could be off by like 10-20 millisecond lol. NOT COOL. Has anyone else notices this? It sort of makes the entire point of the device null and void lol.

Hi. Just looking for any sort of formula or method people use for arrangement of fx and sounds outside of transitional things like risers, impacts.. etc. I’ll use the odd dub beep w delay or whatever somewhere halfway between a 16 bar. Sometime a vocal hit. Sometimes it works, but skipping it the following 16 or just alternating them sounds repetitive. I know often it’ okay to just leave well enough alone too. My tracks tend not to have much lead/musical elements and stay on the minimal side so I feel like there should be the odd random hit here and there to keep things interesting, but it’s hard finding balance between having something that repeats itself for continuity Vs just throwing a b

Anyone want to help me sort out how this thing works without a threshold lol? Like do you just drive it till you get some reduction then use the ‘post level’ or am I entirely missing something? I REALLY want to put this to work as I do most of my drums and breaks in my MPC and something that could give them a ‘little off the top’ haircut before exporting would be a gamechanger.

Welp, looks like I finally got my official diagnosis. I’m the last male in my generation in my family to do so. I was warned. (47m) runs in the family. I feel great, in relatively good shape. I’ve always tried to eat healthy and such. I’m suspecting that my copious beer drinking and the bad eating habits that follow a weekend of doing so most likely contributed. Even though it’s been tapering off quite a bit in the last 2-3 years. I guess my first question would be: is that accurate? How far back can bad habits as such affect the condition down the road? Or, is it just something that was inevitable?

Hi all. I’m looking for any tips on sort of allowing more space in between my bass hits. My tunes have good elements, call and response patterns that work.. etc but they all end up essentially being big 16 or 32 bar walls of sub and mid hits which isn’t always a bad thing I guess. My tracks with entirely separate sub and mid/top aren’t really an issue as I like having a solid bed of sub going anyhow. Would moreso apply to the tunes where I’m using a few different top to bottom bass synths. I’ve tried the obvious and spaced each synth out with a few bars in between and it typically ends up not being very rhythmic if that makes sense. A lot of really good tunes often will get away with bein

I’m testing outa Live, a Maschine+, and finally got my hands on a Force.

I was sorta expecting the Force to be identical to the Live workflow, which I’ve come to like. It’s not. Which is fine. Arranger: is there a way to just pop the clips into the arranger without having to do the live recording thing? Please tell me I’m missing something here. In order to use the arranger at all I basically have to track everything live? It seems like there should be a way to print sections i to it without having to do that. Can you move stuff around in the arranger view? As in nudge audio or midi clips using the touch screen? I’m guessing not. But it could be that I’m overlooking. Also, are the midi