Greetings fellow students! I am Vitello, a student of the beautiful stone cold precision, the art of cubism. I am seldom worthy of explanation on such a topic from a docent, however if my interpretation isn't offensively cliche for you, I would like to hear yours.

I was on an excursion to H corp quite recently, our docent showed us the inspirational geometrical perfection of so called restructuring day, crushing and grinding feeble flesh, rearranging in strict, rigid forms... I could go on forever, but I understand the limits of patience of other schools, so I will get to my matter of interest.

While in H corp in the shadows lurked people akin to beasts. We chanced upon a slaughter between them during our trip, several clans of the "black beasts" as the locals called them were fighting in the backstreets, likely on orders from warring lords as we were notified. Flexible legs spun in hare, vibrant red plumage of roosters set ablaze by blood,  vicious horns the texture of volcanic glass springing forth and piercing all who stand afore their stampede... The beasts were ferocious and their clashes were so resonant in their vividness that were I but an aspirant artist, not acquainted with the magnifique of solidity, I would most likely have chosen Fauvism as my life's work.

I am yet inexperienced and had not earned myself the high honor to explore the galleries of other movements of art, however in my studies of Fauvism as per the mandatory introductional curriculum I do not remember  hearing anything about those beasts.

I beg our fellow artists more engrossed in the movement de Fauvism to satisfy my blunt, perhaps offensive inquiry: Are those black beasts Heishou, mutated and modified so naturally in their forms, not walking the fine line between a human and le Fauve(Wild beast)? Are they not an exemplar of brutality and animal instinct, fettered only by their leashes, contrasting wonderfully with the bland robes they are bound by?

An inquiry into Fauvist's vision of Heishou