[FEEDBACK] Neptune Beach (Post-Apocalyptic Murder Mystery , 97 pages)

FEEDBACK

Logline: A reclusive former detective returns to his rebuilding hometown, following a flu pandemic that crushed society, to solve the first murder in three years with the help of a younger, wannabe policewoman.

Any and all feedback is appreciated. Does the logline intrigue you? Are the characters well developed and do they feel like real people? Is the pacing good? If you got bored by the script - when exactly did this happen? Are the subplots interesting? Does the story build or does it drag?

If you can answer just even one of these questions, I will be immensely thankful.

Link - https://drive.google.com/open?id=0B_wNCZaQ_NEhZk9wSEtqY2V1Yjg

Posted Feb 11, 2018, 11:47 AM UTC · edited

95
djRabbitHands•

Not intrigued by the logline. Characters were good though Tanner seemed silly with that gas mask, like he’s worried about being exposed but he leaves his camper unlocked so Mack just walks in and contaminates everything. Maybe Tanner just keeps the mask so he can be prepared or get used to it? Idk. Obie seemed dumb, in a world where bodies just end up on the side of the road why would you walk up to someone’s camp and say surely you can accommodate us? It’s the end of times bro. So Tanner just lives a few miles outside of town? It seemed like nothing for Mack to stop by or for Tanner to be bored enough to go back into town. I could clearly see Frank in this dark bar and then imagine the council in some fancy area waiting to be saved. I stopped reading only after Gloria started crying after she slapped Tanner because I stay up all night and I’m tired but it’s a good idea, great descriptions.

2
Rob_OSullivanOP•

Thanks for the feedback! The gas mask is moreso my stupid symbolism coming into play, but I could see it may be best to just take it out. I’ll try and rework the character of Obie as best I can, maybe make his motivations clearer and such. And thanks for the compliment on descriptions, I’ve been trying to improve with them recently!

1
ChromatinicPark•

All I can say about the logline is “and then...?”

1
Rob_OSullivanOP•

Would you recommend I bring up that he must work with a younger, wannabe detective, and that he realises a lot has changed in the town in the years that he has been gone?

1
tipase•

First page featured bulky action tidbits, felt like I was swimming midst a crowded tank full of bored sharks. Avoid the traffic, read TAXI DRIVER: amazing script that follows the hero's journey and contains so many heartbeat changes that it forgoes boredom's ugly snare. Screenplays are about evincing of one's inner vision. Not a linear dreamscape as most novels project. Here's an idea: pretend you can pause every static moment of life and observe the frame, capture this raw leakage of emotion. Allow those frantic emotions to swathe each fiber of the imagination, running up the legs and exploding mid a mind. Spoon all the emotional juice with your breakfast cereal, whatever is necessary to pinpoint the shoes of a brother. Ask weird questions, be socially experimental. Don't fear should the bar's bouncers steer ya to the exit, you've won the trophy! A story's focus is almost always a person, so where representing birds: somehow delineate them as people too. My dog embodies an electric spicy personality and would immediately draw laughing smiles of an audience. Otherwise, animals compensate as symbolic devices.

Applying animal characteristics to fleshly subjects is another avenue. The man soared as an eagle, landed on his prey and bit into the rival's chin. Or: the military commander speedily sprayed an armload of ammunition near the men, hailing a rain of debris upon them to warn that they could never truly follow the [guerrillic] cheetah's path he'd be partaking. The first characterizes the attacker as alien, perhaps connoting a mental state that is drug-induced. The second suggests an angry rampage of which desperate creatures brandish at survival's final knock. I recommend reading Samson's riddle found within Judges. It's just baffling how the protagonist wagers and draws his enemy in, where individual foresight previously determined the positive outcome. Anticipate building portrayals molded of this fabric, ones that've outsmarted their opposition prior to dice roll. Scene pacing is of solid run, similarly punching pow as of Bible's selected reference. Bible carries a heavy load of literary bumps that's worthy of learning. The water won't forever carry your body's impact but still attempt feasting of literature's rife [and enriched] challenge. Due to sexual innuendos, I'd swap "living" for money: albeit whence dousing scripture it is seldom of an issue's drawback. Narrative instills an attention to world's spiraling events.

1
ChromatinicPark•

Yes

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