Looking for a critique of first piece of writing I've ever shown anyone...

Critique

I haven't written anything for years, probably over ten years. So I've been a little nervous about showing anything to anyone.

I have always been a nervous/shy sort and I've been considering showing some pieces to people for a while but have always chickened out, that's basically why I thought I should put this up here and ask for some kind of feedback, mainly to get over the fear of showing my stuff to people.

So yeah, I appreciate the effort anyone puts into reading this and giving me any kind of feedback.

It's a short intro paragraph to a character in a fantasy story I'm writing. I've been outlining a lot for the story and have just started writing some short chapters for the three POV characters.

Words: 930 POV: Aiming for Third Person Limited, how well I achieve that I'm not so sure.

Captain Roger Wittie

Posted Jun 29, 2018, 8:40 AM UTC

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Rickleskilly•

Welcome brave writer. I enjoyed your first share. Just remember to write because you enjoy it and don't get discouraged. Everything you write, helps you learn how to write better. So writing a lot is the only way to improve.

I think it's Sanderson who compared it to playing a piano. No one expects a person to sit down for the first time and be a virtuoso at the piano. However we all seem to expect that we should be instantly good writers. The difference is we don't subject others to our piano practice, but because of the nature of what writing is, we have to, in order to get the feedback we need to improve.

Some suggestions

  1. I think you should start with "the barracks had become shabby". It's a little more interesting. It sets up a bit of mystery right away. The reader wants to know why they have become shabby.

  2. I'm not quite sure what the conflict is. You've hinted at a couple possibilities. Too much crime not enough guards. Emotional conflict - picking on poor people trying to eat. So think about what the real issue is and as you write drop hints to make that clearer.

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theFalseFinishOP•

Thank you for your reply.

I see what you mean about the conflict. The idea is he's got a problem with the city and how it has changed since the City Lord arrived when he was just starting out in the city guard. I'll try and add some more points to make tease what may have triggered this and try and make it clearer.

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PhatJohny•

Just read through and I think this guy sums up my thoughts as well

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jorankins•

Thank you for sharing! I actually wasn't going to get online this morning, but I was skimming reddit on my phone and I liked this enough to go and open up my laptop.

I left a couple comments on the document itself to highlight certain lines, but my most useful suggestion is probably this: if this chunk is a set up for a longer story (and it is, clearly :D), you might want to change a little bit of detail in the two criminals that the office deals with. If they both deserve to be arrested, then Roger's cynicism doesn't seem justified because the system appears to be working as correctly as it can, even though they're understaffed. Instead you could use the first man to demonstrate the fact that A) there isn't enough room anywhere to house criminals longer than overnight, and B) the economy is shit and some people are so desperate that pissing on the tax collector is about as useful as anything else. Then with the second man who stole because he was hungry, just let that hunger be the story, rather than immediately handwaving Roger's legitimate commentary by mentioning that his theft was so excessive.

You want Roger's concerns to be validated, so we're just left shrugging him off because we don't actually have any in-universe evidence that he has a reason to be more bitter than anybody else. As it is, because he's gotten mopey about two instances of totally legit arrests, he seems like less of a cynic with a moral compass and more like... well, like an alcoholic. Stealing a drink and then immediately being wrong about something looks a lot like shorthand for alcoholism.

And maybe he really is an alcoholic, but you want him to be an alcoholic with a point.

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theFalseFinishOP•

Thank you for your comments.

I completely see what you mean and after reading what you said and reading back my piece it seems so obvious to me now. The second arrested man is another character that will get introduced soon after so I guess I was thinking too much about making their first intro be a little funnier.

I'm not certain he's an alcoholic yet... or maybe I should say he is an alcoholic but I'm not sure he's going to address that in my story. I could say he's a functioning alcoholic. I was trying to go for a feeling that he was able to empathize with the people arrested because he could understand why they were doing it but that he is also at the point now where he's given up on caring about keeping them locked up because the city doesn't fund his guards or care about what they do.

I'll attempt to add some clarity to his drunken ramblings and make it clear that his problem overall is with the city.

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Rickleskilly•

IMO, don't say he's an alcoholic or even a functioning one. Let the reader draw conclusions through his actions. Show him getting drunk, being drunk or at least drinking a lot.

Also, that's the way writing is. Right now I'm rewriting TONS of material because someone pointed out that I don't have enough exposition in my dialogue. Now that I'm rewriting I'm thinking "duh, how could I not know that?" But that's what happens. We can only learn and concentrate on a few things at a time. So while I was writing my way out of pronoun hell, I forgot to include exposition in my dialogue.

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sflaffer•

I also just started writing seriously again after a few years, not quite as many as you, but I get where your nerves are coming from. However, you shouldn't be nervous cause this was really good!

There are a few things that could be smoothed out in terms of flow in the prose, but with more drafts and editing that should be an easy fix. Reading out loud to yourself should help you catch issues with overall flow, and reading each line one at a time from the end to the beginning can help catch any issues with in the sentence.

Otherwise your characterization, your hints at the world, and your dialogue are all very good! I would agree with the suggestion to get a clearer definition of the conflict down.

Great job though!

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theFalseFinishOP•

Thanks for your comments.

I tend to only read the dialogue out loud but I'll start reading every line to help with flow.

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I_stole_yur_nameThe Dungeon Diver•

this is a great start. the document already has a lot of technical corrections so I'm going to avoid mentioning those. personally I think you have some great lines and a great character built. I just believe you are overthink a few parts. specifically I believe you could ease up on the detail of the steps to the barracks and the sign. I learned the hard way that sometimes less is more when it comes the details.

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theFalseFinishOP•

Thanks for reading.

I see what you mean about the steps of the barracks. I get a picture of something in my mind and try too hard to get every detail I can of it across when I probably don't need to.

Thanks again.

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