Mothership, Chapter 2 [2208]
Here is today's submission: Mothership, Chapter 2
So this is chapter 2 of the very first submission I made on this subreddit earlier in the year. That can be found here:
Mothership, Chapter 1 (Formerly Tech Dif.)
I changed the title around and if you read the first chapter, I think you might just understand why I changed it to its new name. Anyway, shoutout to u/HugeOtter, you had said you were interested in reading more.
I am writing this story because I want to improve the way I write dialogue. I want to write interesting, easily imaginable characters. I believe most of us write the way we watch movies. That is, we insert actress X for this character, actor Y for that character etc... Who do you see playing Bud Reed? Crystal? If you read the first chapter (come on in, the water's warm), which D listers do you see playing Abby, Mike, Manny and Larakitten Moonchild? I've described the characters' looks only sparingly so and that's because I want their dialogue to represent them more than my prose.
And that brings me to my other point; prose is quite light in this chapter and in the previous one. I'm experimenting with writing as little as possible to convey as much action as I can. Let me know if I should try to cushion the dialogue with more prose or if what is there is sufficient enough for you to know who is doing what/going where, saying what etc...
If you were kind enough to read both chapters, can you tell me what you liked and what you didn't? Are you looking forward to certain characters crossing paths with other certain characters? Is the premise interesting enough for you to want to continue reading onwards?
I'm also looking for an accountability partner. Someone who would be willing to agree to a set amount of words put on paper per week. I'm thinking somewhere in the neighborhood of 3,000 - 5,000 words a week. Oh, and it might not be this story that I'm sending you. This is November, right? Keep your damn beard on. Let's crank a novel out.
Posted Nov 4, 2021, 10:28 PM UTC · edited
#PROSE
Overall I'd say I have very little problem with your prose. It is simple yet works—perhaps you can vary the length of the sentences. I mean, don't get me wrong, it works. Its just if you are intending for this to be a novel then it might get repetitive. But for the most part it flows very well so congratulations. It reminds me of John Williams prose. There are some instances in which it can be improved however. Here they are:
This doesn't flow too well.
This creates a clear image but in retrospect that image is confusing. Horseshoe? Bled?
These two paragraphs should be together.
<they? Bud
Missing "
Is the news reporter saying this or the clerk?
Who's saying this? The guy serving him? It sounds like something bud would say so I'd suggest keeping his dialogue on the one before. You've this mistake twice now. This is basic dialogue that is essential to learn otherwise readers may get confused as to who is actually speaking.
Like I said you strike a sweet chord with this prose. It is certainly enough to understand and it does place more focus on action and dialogue which is good. Yet still if you wish to continue then I'd suggest going further with the prose. For example, though the prose is sweet, it doesn't offer much. There isn't much depth to it and if you wanted prose that can be remembered and stands out, then this isn't the way to go. (I know I made a John Williams comparison but that essentially meant that it gave off a John Williams vibe...)....)..
#CHARACTERS From this piece alone, I can say that your characters are wonderfully drawn and easy to picture. Your introduction of bud was very well done as was the introduction of Crystal. However, they do seem a little stereotypical. Like, I'm almost certain I've seen a character like Bud plenty of times in media, and it's okay to have stereotypes but your characters lack depth. I can sense that there is depth but the fun, party guy dawning upon the realisation that he is getting old seems quite cliche almost. That's just for me anyway.
There are hints of depth but I would've preferred if it was explored deeper—but as it is, I would've kept reading for another few pages to see where you go with it, as it flows nice and there are hints that the characters have layers.
Great character voices however!
#STRUCTURE
It is structured quite well. Maybe you could shorten the singing at the beginning but that's not an urgent fix as it does establish Dub pretty well.
Crystal seems like she just appears out of nowhere. Hm, I'm not sure about this one.
#STORY
From what I can tell from this piece alone, Bud is some sort of travelling layabout (sorry) and is has some sort of alien equipment and is has something that the goverment dislikes? The story isn't very clear and I know i am supposed to read the first piece for it to make sense, so I did. It was fun (I won't critique as others have already done so) but alone this story doesn't sound very engaging.
I had little idea what was happening at the end so Ieft feeling slightly dissatisfied. Maybe make it clearer. If it's in the details, perhaps make the details clearer. But that's just me. Let's wait for more opinions to roll in.
Overall, well drawn characters but lacking depth and decent prose could certainly pack more of a punch. That's it, thanks for reading and good luck!
Thanks for the review. Finding a middle point between great, varied dialogue and longer scene setting prose must be one of the hardest things about writing. I'm either writing a screenplay or a play by play action book lol. You might have been able to tell that I rushed through this excerpt and the first chapter was far more polished. I've been looking for some books by this author John Williams! He seems pretty obscure because I can't find any. But he was a Pullitzer Prize winner and so the comparison is nice. Thanks again for the critique. I hope if I post more of this story in the future you'll read on.
No problem. I can see where you're coming from but for me personally it depends on the word count. One thing I've heard is that if you want a quicker pace then use more dialogue and less description (simple prose too) but if you wish to slow a scene down you can use more description and amplify your prose. That's all I know of anyway. And I probably will read again don't worry!