About to start Ulysses, first time
Hi all,
I finished Portrait last night (working my way thru them in order), and loved it. I read the Penguin version, which is footnoted by Seamus Deane. I did the thing where I kept a bookmark in the back and in the front, as I needed to be flipping back to the notes quite often (sometimes many times per paragraph). However... I'm not sure that the notes did that much for me. A few times they cleared things up, but overall they got in the way of the flow. What I found more helpful was reading the Cliffs Notes chapter summaries as I finished each chapter. They are good at explaining the main plot points as well as the more artistic stuff (e.g. patterns of certain imagery that Joyce is using in the book, which teaches me how to pay attention in subsequent chapters).
I have the Vintage version of Ulysses, which has no notes, and I have no separate annotation books.. and I think I'm fine with this. It's how I've read Gravity's Rainbow and other biggies, and I just prepare to not understand large swaths of text, let it wash over me. Any thoughts on this? Any strong opinions either way? I think I've heard some people say "it's worth it to do the annotated thing!" but.. I'm not sure.
Either way I'm excited... been looking forward to this for a while. Thanks for any tips!
Posted Nov 18, 2022, 8:44 PM UTC
IMO, you can do the annotated reading if you wish to study the work; however, Ulysses is more of an impressionistic work. It's the reading that turns on the aesthetic effect. Just be aware that the first nine episodes are in a typical Joycean "naturalistic" style that you've come to be familiar with having read Portrait. The following nine episodes each tackle one of the tenets of narrative art (in Aristotelian order: locale, song, oratory, fiction {in Greek terms, aka "pornography," or "paid-writing"}, literature, drama, story-telling {the art of Homer}, dialectic, and finally, Episode 18, also called "Penelope" develops a narrative without a narrator...you're basically parroting a women's defense of her own choices in life).
That's where many readers get lost. For instance, Episode Ten ("Wandering Rocks") appears to offer a visual map of Dublin, but one delivered as if the separate and scattered pieces of a puzzle before it has been put together. Normally, the narrator would be responsible for providing consistency of locale in satisfying one of the so-called Aristotelian "unities"; but, here, you--the reader--must reconstruct Dublin from the pieces {hint, using your memory...and all that Bruno of Nola stuff people talk about--which is really Giambattista Vico stuff}. And, the episodes get increasingly difficult to follow as more of the responsibility of making sense is thrust upon the reader.
But, honestly, most of the fun of the book just comes from getting washed in the text. If it ever gets dull or difficult...try reading it out loud. The music in Joyce's prose is brilliant.
Also, have fun, and if you have any questions or confusions, this Reddit can usually help answer them.
This is great, thank you! I'll be referring to this from time to time, I'm sure. Mostly, I'm glad to hear you say that about the impressionist reading effect.