DueAssociate6548

With the release of Adam Foster's excellently researched new book (which can be purchased here: https://nickdraketherecordings.co.uk/ ), I have updated my lossless FLAC compilation of all of Nick's released songs (The original post can be found here: Nick Drake: The Complete Discography). This update has changed the order and date of quite a few songs, most notably the ones Nick recorded at Far Leys in 1967, as well as The Work Tape. With lesser changes to the Aix tape, Early Far Leys recordings, and The Making of Five Leaves Left (Complete Edition). I intentio

DOWNLOAD LINK:

https://####.nz/file/AdowDBhQ#eprxipXNbg0rOqh9DmwhWiEmCn6GcfrHtn15h6KGmtc

[TO ACCESS THE LINK, YOU NEED TO COPY THEN PASTE THE LINK INTO YOUR BROWSER, AND BEFORE YOU PRESS ENTER, REPLACE THE #### WITH MEGA]

VIDEO TUTORIAL [Nick Drake: The Complete Discography Download Tutorial]

[THERE SHOULD NOT BE ANY ENCRYPTION KEYS NEEDED]

IT IS ALSO IN .7z FORMAT, SO TO PROPERLY EXTRACT IT, YOU EITHER NEED 7-Zip or WinRAR

The file is nearly 8 GB, so it may take a bit to both download and extract.

This is a Lossless FLAC compilat

Over the past few weeks, I’ve been working on my own transcription of "Brittle Days I/Work in Progress No. 1." While transcribing the instrumental, I noticed that when I attempted to play along in standard tuning with the capo at the 3rd fret, it felt terribly out of tune.

So, I tried moving the capo to the 4th fret instead, and while playing along with the recording, it felt more in tune. However, when I played it on its own at the 4th fret, it didn’t quite sound “correct,” so to speak.

There are a couple of other covers of the song that both use the 3rd fret capo and sound fairly accurate, so it seems like a safe guess that Nick probably played it that way, too. That got me think