mad_Clockmaker

I’m dividing it between North America and not North America, since my understanding is they have different rules.

For anyone looking for more info on what the union would be, it seems like VFX IATSE is the best option, here is their website and contact info- https://vfxunion.org/

Contact Us [email protected] 404-604-6762 Press Inquiries [email protected] (212) 730-1770

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Tired of being over worked? Underpaid? Losing work while other departments strike for residuals while you yourself have no protections? Not getting residuals on successful films that make billions on your work?

Well we all can change that!
If enough people join the VFX IATSE we can strike at a critical time during post and and make demands, just like everyone else.

Here’s info- https://vfxunion.org/

Contact Us [email protected] 404-604-6762

Press Inquiries- [email protected] (212) 730-1770

Hey guys, I just want to get a genuine feel for how other VFX workers feel about the strike, I know some people are very supportive and feel it will improve the whole industry to fight the corporate greed, while others think writers are already really well off and they’re asking for too much and harming everyone else in the process

What do you guys think?

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Hey guys, so I’m usually very pro union and I supported the IATSE strike because on set workers were really getting treated terrible. (I realize this is a very hot take and am probably wrong in the views I’ve formed based on most people being against this take, but I really want to hear all the arguments)

But- Writers? Really? The only writers I know own million dollar homes and only work half a year and are managing to travel and picket during the strike with no financial problems.
The starting rate for writers I believe is triple digits for only half a year of work…

I feel like this is a group that has so much better pay and benefits than most of the rest of us, and some of what the