splandroid

Did Elliot cause the Washington Township disaster in an attempt at patricide — one which took many more innocent lives with it?

I feel like he may have intentionally given Edward cancer — something about the 407 reveal, and talks of ‘sickness’ in the flashbacks still doesn’t add up for me. We see Edward displaying cancer symptoms.

I don’t think it’s out of the question that Elliot will have to confront this dark truth upon revisiting the site of the disaster. I just feel the show has one more devastating twist in it.

Hey guys. I'm going to a friend's bbq tomorrow and have nearly all of my food sorted. I was really hoping to bring along some burgers. I'll be making a two or three hour journey to his house, the duration of which all my food is gonna be unrefrigerated.

It seems that most vegan pattys in their uncooked form are basically mush balls that need very high heat and oil to firm them up and give them a crispy exterior. Do any of you guys know of a recipe where I can make patties that are barbecue-able, and firm when uncooked? It'd make my day! Thanks folks

effects

Today, I watched Takashi Miike's Audition for the first time. As anybody who's seen it will attest, it's an incredibly intense, unpredictable, complex and emotionally involving piece. Like many of the best horror films out there, it actively defies its own categorisation by virtue of being so much more than horror.

Asami is an enigmatic and hugely sympathetic character. It's testament to the quality of this film's script that she can be cutting off an arguably innocent man's feet, and not totally lose the viewer's sympathy.

A Western counterpart to Asami could be Patrick Bateman, the psychopath who fakes what society expects of them in order to achieve their hidden goals. However, a

‘Documentary’ feels like the wrong word with which to describe Waltz with Bashir. Fabrication and self-deceit are, after all, the only consistent traits of any of the stories it harbours. The truths and fictions of Waltz with Bashir play concurrently; twined, inter-reliant, yet undisputedly distinct.

Ari Folman himself segues between two roles struggling for power, as both director and subject of his own film. This duality is replicated in the division between the film’s form and its content: an intensely personal exploration of Folman’s subconscious mind, distanced from reality through hallucinatory, surrealistic animation.

Duality is the narrative driver of Waltz with Bashir, too. Ari is

The central antagonist of Alien is one of cinema’s most enigmatic characters. We are given no hints to its origins beyond brief glimpses of a derelict ship’s gargantuan pilot, chest pulverised from the inside, and a vast chamber of perfectly ordered eggs below. Its motivations are – at least in the film’s theatrical release – a total mystery.

The creature’s appearance proves no more revealing. An apparently blank carapace complements its rootlessness with menacing unreadability. Publicity stills, however, reveal the suggestion of a human skull shining through the alien’s black veil; its victim’s twisted reflections, a taunting portent of their deaths.

But the alien isn’t just a physical do

The blog's name is Blood Pudding Films, and I'd like to hear any critiques you have. I sincerely hope you enjoy reading it. Here's a link:

https://bloodpuddingfilms.wordpress.com/

I'm new to r/blogs, but I can't wait to check out other users' writing, too. Thanks for your time.