I made a Twilight D&D one-shot adventure for my wife and friends, with this subreddit's help. Thanks! (Link to module included.)
docs.google.com/document/d/18e3GlEEH9Iqow7Ouu...
docs.google.comu/BerlinSpecimen
docs.google.comFor her birthday, my wife asked me to run a D&D one-shot game for her and her friends, set in the world of Twilight. I'm comfortable running D&D, but I know nothing at all about Twilight. I'll watch all the movies and do whatever research I can to understand the lore, but what I really need help with is this:
If you were playing in a Twilight D&D session, what would make it feel like Twilight to you? What are the core themes, emotions, conflicts, and tropes you would expect to make it feel like Twilight? Beyond these specific questions, if you have any other advice or insights, I'm all ears.
I am interested in making a black walnut mead. I would like to bring as many elements of the black walnut tree into the mead as possible. I am a hobbyist woodworker, and have access to black walnut trees as well as a supply of naturally dried black walnut wood. Here are some of my ideas so far:
However, I am aware that black walnut trees contain the toxin juglone, which exists throughout the plant in differing concentrations, but most
... about a renaissance fair group, The Guardians of the Black Forest. It should be out today, but I don't have access online, and I don't live in Cedar Rapids, and can't find reference to it via Google.
He's a young-ish white guy, I think his name had "King" or maybe "Earl" in it somewhere. On one of his album covers, he's standing outside by a car, and you can see the sky behind him, the colors are mostly blues and greys. The album is more modern than classic, probably from the past 20 years. I know this isn't a lot to go on, but Reddit has done more with less. Edit: not Earl King either. Edit 2: SOLVED: Luke Winslow-King
I recall reading a passage years ago about how each person, or their mind, is like a garden that they design. No garden can have all types of plants and hardscape, but rather, each garden has to have limits and some sort of cohesion to be beautiful. Some gardens are hard and minimal, others are lush and overgrowing, but to be aesthetic, they have to have some sort of limit, or guiding principle, or unity. (Sorry if this explanation is inaccurate, but that's why I want to find it and read it again.)
I believe the passage I'm looking for was in either The Gay Science, Twilight of the Idols, or The Anti-Christ, though it may have been Zarathustra. This passage may or may not have been near an