Usually, I start the day 18 minutes
from home—a reverse lobotomy; awareness
driven into my brain by the glancing gaze
of train passengers. And so I hide
myself in watching as the sun wakes—
sketches warehouses and dormant concrete,
kisses gleaming liths of glass.
Usually, the riptide world slows
to a pregnant pause, and the cargo whisper
theories philosophically to one another:
now a failed subsystem, now a lot of blood on
an engineer’s conscience. At any rate,
we are subjected to twelve
more minutes of sapience in the grey
lullaby of the air conditioner.
Usually, the PA creaks and spits,
dribbling soup of lightning howls
and upside-down English. And then